When the single middle-aged Luis travels from Barcelona to bury the remains of his mother in the vault of his family in ...
前面睡着了,没什么意思,就记忆与现实穿插,不换人。后面我越看越想复习一下 白丝带 了。
想起野草莓,镜子,莫里埃尔 几处超现实联想起布努埃尔 太棒了这部
3.5 肆意转换的时空,只是初看让人一头雾水,明晰之后就和导演建立一种心照不宣,儿时懵懂的爱恋交错在童年罪恶的战争、宗教中竟如此入骨,也如此无力。
一个演员扮演中年和童年,past/now交织,是旁观亦是亲历,为相对论的最好呈现,if I want to attribute reality to all things ‘now,’ I have to attribute it to a set of faraway events that might be in the direct past or future of each other. And therefore, I pretty much have to attribute reality to the whole four-dimensional universe, including events in my own past and future
本来没什么感觉,但主角说出“普鲁斯特的玛德莱娜蛋糕”后,电影在我这里就自动带上了普鲁斯特滤镜,一切都显得不同了
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